Showing posts with label BOLIVIA. Show all posts
Showing posts with label BOLIVIA. Show all posts

FILM NEWS: JACC ANNOUNCES PROGIE WINNERS

A scene from Even the Rain.
JACC jumps over what Oscar picks

By Ed Rampell and John Esther

After failing to make the final cut for this year's Academy Awards for Best Film in a Foreign Language (or any other category for that matter), Even the Rain, a smashing Spanish film about an uprising in Bolivia has swept the James Agee Cinema Circle’s fourth annual “Progie” Awards for Best Progressive Films and Filmmakers of 2010.

The James Agee Cinema Circle is an international, independent umbrella group of progressive film critics, reviewers, scholars and historians dedicated to raising public awareness about films dealing with political, social and cultural issues such as: Human rights, workers’ struggles, women’s rights, environmentalism, ethnic rights, free speech, gay rights, civil liberties, immigrant rights, people’s activism and peace.

The JACC annually presents The Progies to the year’s Best Progressive studio features, indies, documentaries and artists. The Progies are the “un-Oscar”, the “people’s alternative Academy Awards,” honoring movies and talents of conscience and consciousness whereas the Best Picture Oscar, for example, consistently goes to movies with centrist-right sensibilities (e.g. Ordinary People; Dances with Wolves; Shakespeare in Love; American Beauty; The Departed; The Hurt Locker) or even politically reactionary films (e.g. Forrest Gump; Driving Miss Daisy; Silence of the Lambs; A Beautiful Mind; Lord of the Rings: The Return of the King; Crash; No Country for Old Men; Slumdog Millionaire) at the Annual Academy Award Ceremony. Of course, this year's Academy Award nominations are not significantly different.

Below is a complete list of all of the 2010 Progies winners, followed by the nominees in every category. (There is an initial nomination process with other films not mentioned below). Each Progie is awarded in a category named after a great cinema artist or film that made a contribution to movies that inspire, enlighten and entertain audiences.

The Trumbo: The Progie Award for Best Progessive Picture is named after Oscar-winning screenwriter Dalton Trumbo, a member of the Hollywood Ten, who was imprisoned for his beliefs and refusing to inform. Trumbo helped break the Blacklist when he received screen credit for Spartacus and Exodus in 1960.
Winner: Even The Rain
Other nominations: Social Network, Casino Jack, Made In Dagenham.

The Garfield: The Progie Award for Best Actor in a progressive picture is named after John Garfield, who rose from the proletarian theater to star in progressive pictures such as Gentleman's Agreement and Force of Evil, only to run afoul of the Hollywood Blacklist.
Co-Winners: Mark Wahlberg, The Fighter; Kevin Spacey, Casino Jack.
Other nominations: James Franco, Howl; Geoffrey Rush, The King’s Speech.

The Karen Morley Award: The Progie Award for Best Actress in a film portraying women in a progressive picture is named for Karen Morley, co-star of 1932’s Scarface and 1934’s Our Daily Bread. Morley was driven out of Hollywood in the 1930s for her leftist views, but maintained her militant political activism for the rest of her life, running for New York’s Lieutenant Governor on the American Labor Party ticket in 1954.
Winner: Naomi Watts, Fair Game.
Other nomination: Sally Hawkins, Made In Dagenham.

The Renoir: The Progie Award for Best Anti-War Film is named after the great French filmmaker Jean Renoir, who directed the 1937 anti-militarism masterpiece, Grand Illusion.
Winner: The Green Zone.
Other nominations: Route Irish, Miral.

The Gillo: The Progie Award for Best Progressive Foreign Film is named after the Italian director Gillo Pontecorvo, who lensed the 1960s classics, The Battle of Algiers and Burn!
Winner: Even The Rain.
Other nomination: Tears Of Gaza.

The Dziga: The Progie Award for Best Progressive Documentary is named after the Soviet filmmaker Dziga Vertov, who directed 1920s nonfiction films such as the Kino Pravda (“Film Truth”) series and The Man With the Movie Camera.
Winner: Inside Job.
Other nominations: Client 9: The Rise and Fall of Eliot Spitzer; South Of The Border.

Our Daily Bread Award: The Progie Award for the Most Positive and Inspiring Working Class Screen Image is named after director King Vidor’s 1934 classic about an American collective farm, which starred Karen Morley and was produced by Charlie Chaplin.
Winner: Made In Dagenham.
Other nominations: Even The Rain; The Fighter, Fish Tank.

The Robeson: The Progie Award for the Best Portrayal of People of Color that shatters cinema stereotypes, in light of their historically demeaning depictions onscreen. It is named after courageous performing legend, Paul Robeson, who starred in 1936’s Song of Freedom and 1940’s The Proud Valley.
Winner: Even The Rain.
Other nominations: Night Catches Us; Miral; Guy And Madeline On A Park Bench; Frankie & Alice.

The Buñuel: The Progie Award for the Most Slyly Subversive Satirical Cinematic Film in terms of form, style and content is named after Luis Buñuel, the Spanish surrealist who directed 1967’s Belle de Jour and 1972’s The Discreet Charm of the Bourgeoisie.
Winner: The Social Network.
Other nominations: Enter the Void; Hitler in Hollywood. 

The Pasolini: The Progie Award for Best Pro-Gay Rights film is named after Italian director Pier Paolo Pasolini, who directed 1964's The Gospel According to St. Matthew. 
Winner: The Kids Are All Right.
Other nominations: Howl; I Love You Philip Morris. 

The Lawson: The Progie Award for Best Anti-Fascist Film is named after John Howard Lawson, screenwriter of 1938’s anti-Franco film, Blockade, and the 1940s anti-nazi films, Four Sons, Action in the North Atlantic, Sahara and Counter-Attack. 
Winner: Even The Rain.
Other nominations: The King’s Speech, Casino Jack, The Last Circus. 

The Langlois: For Best Progressive Picture Deserving Theatrical Release in the US and distribution in other countries and platforms is named after film archivist Henri Langlois, co-founder of Paris’ Cinémathèque.
Winner: Film Socialisme.
Other nominations: Amigo, Vlast, Cleveland Versus Wall Street, Nostalgia For The Light.
 
The Sergei: The Progie Award for Lifetime Progressive Achievement On or Off Screen is named after Sergei Eisenstein, the Soviet director of masterpieces such as Potemkin and 10 Days That Shook the World.
Winner: Jean-Luc Godard.
Other nominations: Sean Penn, Mike Leigh, Ed Asner.
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PSIFF: EVEN THE RAIN

A scene from Even the Rain.
Collective colonization

By John Esther

Director Sebastian (Gael Garcia Bernal), producer Costa (Luis Tosa) and their Spanish crew have just arrived in Cochamba, Bolivia to make a film about Columbus' arrival in the Americas during the late 15th century. An examination in racism, religious hypocrisy and resistance, the film within the film of director Iciar Bollain's Even the Rain takes an unflattering view of the Spanish crown's gold crush in the 16th century. 

While on location, the local "Indians," many of whom are involved with the film at significantly lower pay than their Spanish counterparts, are involved in a struggle with powerful forces (back by foreign corporations) over the local water supply. The locals have virtually no rights to the point they are prohibited from collecting the rain. 

If making an epic historical film were not daunting enough, the local struggle threatens the film, the filmmakers' safety and the filmmakers' ideas about what it means to make a film about historical oppression while contemporary oppression is surrounds you and what it means to make a film about an oppressed people of the past without oppressing people of today.

Written by oft-Ken Loach collaborator, Paul Laverty (Bread and Roses; Looking for Eric) Spain's Oscar submission for Best Foreign Language Film swirls on a wide range of levels and topics. The film about a film or films (someone is shooting a documentary on the making of the film) thoroughly analysis the limitations and possibilities about making films to address (adjust?) social injustices, whether they are past or present, and that film is never the same as reality, regardless of accuracy, yet this is being illustrated in a film.

Highly recommended.


(Even the Rain screens Jan. 7, 6 p.m., Palm Springs Regal 9; Jan. 08 10 a.m., Palm Springs Regal 9. For more information:
http://www.psfilmfest.org)

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