Showing posts with label jim broadbent. Show all posts
Showing posts with label jim broadbent. Show all posts

PSIFF 2011: ANOTHER YEAR

Tom (Jim Broadbent) and Gerri (Ruth Sheen) in Another Year.
Leigh film screens at Palm Springs International Film Festival

By Don Simpson

The opening sequence of Another Year lays the groundwork for the tone of Mike Leigh’s follow-up to Happy-Go-Lucky. Janet (Imelda Staunton) visits her doctor’s office for sleeping medication, but she is referred to Gerri (Ruth Sheen), a counselor, instead. Gerri asks Janet to rate, on a scale of one to 10, how happy she is. Janet instinctively responds: “One."

We never see Janet again -- good riddance to her sad and sorry self -- but Gerri turns out to be one of our primary protagonists. Gerri is married to Tom (Jim Broadbent), a happy-go-lucky geologist. Their marriage is nothing short of idyllic, and their emotional stability enables them to function as the bedrock for their miserably single friends and family (most of whom would probably rate their happiness similarly to Janet). It seems each season (Another Year is split into four distinct segments -- one for each season) delivers new emotional issues for Gerri and Tom to assist with as they also tend to the seasonal changes of their fruitful vegetable garden.

Another Year is a story of haves who want to help the have-nots, yet the haves never get all that involved in the personal business of the have-nots. It is as if Gerri and Tom do not want other people’s sorrows to interfere with their own happiness. Emotionally detached, like psychiatrists, they might occasionally ask a probing question or two (suggested drinking game: Take a swig every time a character asks “How are you?”) but they mostly function as a sounding board for their friends and family to divulge their woes.

For Leigh, everyone has a choice to control their own happiness. People have the option to change and there is always room for personal growth. The trick is that one must learn to adapt to life's setbacks, to suck it up, to always look on the bright side of life.

Another Year is one of the lesser films in Leigh’s “depressed old people who cry a lot” cannon mainly because the characters’ psychological states are too grossly exaggerated for my tastes. Gerri and Tom seem all too perfectly happy, while characters such as Mary (Lesley Manville) and Ken (Peter Wight) seem like one-dimensional caricatures of the hopelessly depressed. A more interesting story might have been Leigh’s perspective on the secrets to Gerri and Tom’s successful marriage -- a topic Another Year avoids altogether. 


Read more

FILM REVIEW: ANOTHER YEAR

Mary (Lesley Manville) in Another Year.
Leigh light

By John Esther

In the latest film by esteemed British writer-director Mike Leigh (Naked; Vera Drake; Happy-Go-Lucky), the family unit is tight but woe to those surrounding it.

Gerri (Ruth Sheen) and Tom (Jim Broadbent) make for a happily married couple of many years. They have a son, Joe (Oliver Martman), who comes to visit mum and dad on occasion. He is not married and neither are Gerri and Tom's unstable friends, Mary (Lesley Manville) and Ken (Peter Wright), whose chronic imbibing only makes them less charming than when they are sober. Unmarried Mary and bachelor Ken are rather envious of Gerri and Tom, though Mary is far more obvious about it. She is so desperate to be a part of the family she flirts hard with Joe and when he brings an adorable girlfriend, Katie (Karina Fernandez), one autumn day – to the surprise of his parents -- Mary is rude to Katie. Fortunately, Katie can hold her own, which makes Mary look even stupider.

Broken into seasons, Another Year is marked by typical traits of a Mike Leigh film: solid direction, snappy dialogue, solid acting from many Leigh regulars, and characters who never know when to shut up. Unfortunately, this is nowhere as good as his other films. It might be Leigh's worst film. That is not the worst thing you can ever say about a film by a filmmaker as efficient and prolific as Leigh, but it is disappointing. Some of the dialogue is contrived, especially an exchange between Mary and Tom's brother, Ronnie (David Bradley), which is downright exasperating. And Manville's performance as ditzy, disheveled drunk is way over the top.

However, in a season full of films with distressed couples (Little Rose; Rabbit Hole; Blue Valentine; The Tourist)) and lonely people (Aftershock; Black Swan; Somewhere; Biutiful; True Grit) filmgoers searching for a happy family in a film – beyond those Hollywood Little Fockers films – do not need to wait another year.


Read more
Get paid To Promote at any Location
Related Posts Plugin for WordPress, Blogger...